End of Year Madness!

Well, we are just about ready to say goodbye to 2010 and hello to 2011. Can you believe it?

Looking back over the past year, I have assembled some great photographic memories. Some are recorded for posterity in digital format, some of which you can see on my website. Other memories are etched in my mind and consists of terrific shots missed or great people I’ve met over the past year. 2010 has been a photographic blast for me!

In this end-of-season madness, I find myself doing some things that are important. I just upgraded my old wireless network router to a 300Mbps N Gigabit router. The main problem I was having on my network were IP address conflicts and slow speeds. I hope the new router will rectify these annoying problems. Upgrading equipment is important. I still have about 500 GB of empty space on my Drobo, so  an additional hard drive is on the short order list. I am still working on the Photoshop CS5 learning curve, which is pretty steep and will take me some time but will be well worth the effort.

All photo print orders have been fulfilled and it was a good year for me. I continue to learn the ins and outs of the photo business, which is exhilarating for me. Sometimes I stumble and fall, but most people are patient and a complete pleasure to work with. I am learning to streamline the process and am now able to offer more product services than a year ago.

And, of course, I continue to take time behind the viewfinder–my most favorite place to be these days, especially outdoors on a wildlife or sports shoot. Moments spent with the camera are “precious and few” to quote an old song.

I am excited to discover what the New Year will reveal for me photographically. I am looking forward to new opportunities and new learning!

Yes, 2010 was a great year, but I believe 2011 is going to be even better!

 

Do It Now or Do It Later – But Do It!

Today I received a request from my good friend and photo colleague, Dick McCreight. He wanted me to send a photo of him to add to this Facebook page. In the email request he remarked, “we’ll see how you did with your key-wording!”

Well, I did have some keywords marked for my photos, but not nearly enough. So I just spent some time doing some keywording. It is an exercise that you either have to do right after a shoot or some time later. It’s probably easier to do it right after the shoot when things are fresh in your mind. However, if you are like me, there isn’t always time to do it right away.

But we have to commit to doing this important exercise or we will pay at some later time. Key words help us to quickly identify photographs that we are searching through. In my case today, I wanted to find all the photos I ever took of my good friend and photo colleague, Dick. I had some keyworded but not all of them. So, I spent the time going through the shoots that would include photos of him and added the keyword to each photograph. Now when I filter in Lightroom I can see all the photos of Dick.

Do it now, do it later, but be sure to keyword!

Sunset Skies

I like sunsets.

I’d like sunrises more, too, if they didn’t happen so early in the morning! Actually, I do get up to photograph sunrises when I am at the beach and other locations that provide beautiful sunrises. It’s just that where I live there are mountains all around so the sun rises later and is already too bright.

This sunset was captured in Elk County looking out from the front of our cabin. It’s one of my favorite scenes to observe and this sunset was awesome. The photo doesn’t really do it justice, but I do like this photo anyway.

I always like to say, “There’s no place like the mountains.” And scenes like this only prove this to be the case. I love the mountains!

 

Small Bull in the Snow

On my last day of my recent two-week vacation, I found three small bulls hanging out together. As is typical, I saw them as I was beginning my drive home, but I had my camera and tripod at the ready so I could take a few minutes to snap a few photos.

I like photos of the elk in the snow because it really brings out the contrast in the hide of these majestic animals. This bachelor group was just beyond Medix Run on the Quehanna Highway. They were a little nervous about my presence at first, but as usual eventually warmed up to my presence and accepted me taking their photographs.

This bull was the biggest of the three, as the other two were just spikes. But they will all be bigger next year!

Bull 2D

We saw this bull several times during the rut this year. He is magnificent in many ways. Just look at his antlers!

As a photographer I would prefer him not having that collar around his neck. It just seems far too distracting to me and I don’t even have to wear it! I understand,  however, that it helps the Pennsylvania Game Commission track the elk and assist in the herd size estimations. I further realize that I could spend the time in Photoshop to carefully remove the collar from the photograph, but I am far too influenced by my college training in journalism to feel right about doing that. So, I resort to documenting these elk just as they are–collars and all. After all, part of our joy of photography also serves as a type  of documentation of the elk herd here in Pennsylvania.

I like this image for several reasons. The bright blue sky provides an awesome background, as I mentioned yesterday. I also like how the bull appears to stand out and almost pop off the screen. Those antler aren’t bad either. And, to a degree, I even like that I can readily read the number and letter “2D” on this bull’s collar. It clearly shows exactly which bull this is among the herd.

What do you think about all this?

What a Blue Sky!

I was driving up onto the top of Winslow Hill looking for elk as is my typical routine. This time the elk were not close by, but I spotted a sizable herd on the side of the Saddle. There was only one option in my mind–drive to the bottom of Dewey Road past the Gilbert Farm, park my truck in the lot, and hike up to photograph these magnificent creatures!

So that’s exactly what I did. I even remember thinking to myself, “should I come in above them or from below?” Then it hit me. The sky was a brilliant blue and the words of Lennie Lee Rue III came crashing into my head: “Whenever possible, try to “skyline” an animal. Photographs of an animal standing on the top of a hill against a bright blue sky have tremendous impact.” (How to Photograph Animals in the Wild, Dr. Leonard Lee Rue III and Len Rue, Jr., p. 128-129)

I made this decision quickly and found myself making my way steadily in the direction of where I knew the elk herd was located. Before long I saw the body of a bull elk with his antlers protruding into the bright blue sky! I was in the right location and just needed to be sure not to frighten the elk. I knew there were plenty of other elk just over the ridge, but this one had my full attention!

I believe this photograph is one example of Lennie Lee Rue III’s rule #5 from his “Tips on Wildlife Photography.” Thank you, Dr. Rue, for your inspiration and for teaching me this wonderful photographic rule.

What do you think of this photograph?

Silhouette

Making a photographic silhouette is very easy and fun to do.

The conditions required for this type of shot are back-lighting and a subject on the horizon line. For example, in my photo here, the bull elk is right on the horizon line where there is nothing but sky behind him. This component of a silhouette shot is what makes the subject really stand out.

The procedure to get a shot like this could not be easier. I just shoot my camera in the direction of the brightest part of the sky and take my meter reading from that location. Then I recompose the shot to include the subject right where I want it to be in my viewfinder. On this photo I paid attention to the rule of thirds and kept the subject in the lower-right third of the image.

Give it a try. Making a silhouette is fun and easy. And the results can be stunning!

Contrast is Good

One of the unique features of the elk I photograph in Pennsylvania is their posteriors, which contrast beautifully with their darker hide and even darker neck and face.

Contrast is good in photography. Our human eyes see contrast immediately and what we see as an obvious contract is not always conveyed in the photographs we take. The problem is that the range of contrast depicted in photographs is not nearly as good as the range we see with our eyes.

Contrast is the difference between black and white and everything in  between on a sliding scale. Contrasting colors make for a much punchier photograph. This is important to consider when composing a photographic subject. What is the background like? Is it similar or dissimilar from the subject? Part of the problem in photographing wildlife is that the subjects often blend in with their background too well. This is how God made them as a form of protection so they can hide from predators, but it makes our job much more difficult when trying to photograph these animals.

Contrast is good.

Composition

The layout or composition of a photograph is important.

There are some general guidelines in composition, such as not cutting off subjects at their joints or chopping the top of their head off at the top of the photograph. Two other important compositional guidelines are the rule of thirds and horizon lines.

Let’s start with horizon lines. When photographing a subject make sure the photograph is not cut exactly in half with the horizon line going directly through the middle of the photo. This just doesn’t look good. To show more of the sky and clouds, drop the horizon line to roughly one-third of the way from the bottom of the photo. Alternatively, to show more of the landscape, pop the horizon line to roughly one-third of the way from the top of the photo. Compare photographs that follow this guideline with a photo that cuts the horizon right through the middle of the photo and see what you think.

The rule of thirds is another very helpful compositional guideline. Imagine your photograph has lines that resemble a tic-tac-toe board overlaying your photo. This pattern divides your photo in thirds both horizontally and vertically. Now note where these lines intersect. This guideline suggests you put your subject on one of these intersecting lines rather than dead in the middle of the photo like a bullseye.

The photograph here follows the rule of the thirds. The top of the calf’s head is at the top right of the imaginary intersecting lines. This produces a more pleasing composition. The body of the calf is also not right in the middle of the photograph, so it also follows the horizon guideline correctly.

Work with these two compositional guidelines in your photograph and see if they make a difference. My guess is that you will produce more pleasing and compositionally correct photographs.

Light

Photography is literally defined as “writing (“graphy”) with light (“photo”).

So as photographers we need to do everything we can to understand light. Without understanding this basic component of our craft we will be severely limited. This is so important and yet overlooked by so many. It is easy to get all cranked up over a new camera body or lens, but without the right kind of light our photographs will be substandard.

Light has several qualities that we need to pay attention to and learn about. Light has color, direction, and quality.

The color of light is something we know a little about when we start thinking about the proper white balance in our camera settings. As a test, turn your camera’s white balance to flourescent and take a photo. Now turn the white balance to incandescent and take another photo. Depending on the existing light, you  will see different colors of light in these two photographs. Light can be, for example, blue, green, orange, yellow, and many other colors. The color of light tends to evoke certain emotions and feelings-blue is cool, orange is warm, etc. Paying attention to the color of light is the first step in understanding light better.

Light also has direction. From where is the light coming? Is it side-lit, back-lit, or front-lit? This component of light is also critical to understand and learn about. Front lighting is perhaps the least attractive directional light. Side-lighting creates deep shadows, revealing depth and character in a subject. Back-lighting can create silhouettes as well as interesting halos.

Quality of light is the most difficult component to describe, but when you see great qualities of light you will certainly know it. Quality can range from horrible to average to sensational and even breath-taking. “The golden hour” is one description but it can happen almost anytime and a photographer should always be vigilant and ready for this superior quality of light to appear.

The following photograph is not sensational or even an above average photo. However, the color, direction, and quality of light make it interesting; at least in my humble opinion. When the light is right the photograph will be right!