Nikon 200-400mm f/4 — My Go-To Lens!

Pleasant Valley v. Lehighton

Out of the last 21 sports photographs I had published, 16 of them were captured with my 200-400mm f/4 zoom lens. This means that 76% of these published photos were taken by this lens.

I knew I wanted this lens over two years ago and even long beforehand. It was my dream lens and I saved for 3 1/2 years to be able to purchase it. The anticipation was almost too much to bear at times! I was sold on this lens by Lennie Rue III and his son, Len Rue, Jr. I read their book, How to Photograph Animals in the Wild. I read and reread this book, but I paid particular attention to all the photographs and with which lens they were captured. Overwhelmingly, a major majority were captured with the 200-400mm lens.

I also knew the 70-200mm f/2.8 was working at the time as my primary wildlife and sports photography lens, but it just didn’t have enough reach. The 1.4x extender helped, but it just hardly seemed to be enough. I convinced myself that I needed the 200-400mm lens. Then I started to save my pennies for it!

Now, after 1 1/2+ years of use, I can honestly and convincingly say that this was definitely a wise purchase for me. I use it on nearly every shoot and it is my go-to lens for both sports and wildlife photography.

I really like the zoom lens because I can compose different shots depending on how far away the subject is from me. This is particularly helpful in baseball. Let’s say that I am on the first-base side of the infield. From this location I can photograph the third baseman, the shortstop, the second baseman, the pitcher, the batter, and the catcher. This is nealry 2/3s of the team! Now these position players are not all at equal distances from my location, but with a simple twist of the zoom barrel, I can compose a pleasing composition on any of these six players.

Similarly, I find the zoom feature a great tool in wildlife photography. Patience is the key in wildlife photography. Staying still in one location is often helpful and the zoom lens gets put into a lot of use in this scenario.

I typically keep the 200-400m lens on my monopod or tripod. It can be handheld, which I do on occasion, but my preferred method is to mount it on a support. This makes using it a joy rather than a burden.

When I am shooting sports, I am almost always on my knees with this lens on a monopod. I rest my left hand on the barrel of the lens and can quickly zoom in or out depending on my need. I always remember: righty tighty to zoom in closer to my subject.

The lens is clear, too. The photographs it produces are excellent when printed or shown on a computer screen. It focuses very well, and it even has a memory position to store a select pre-focused location. With the touch of a button, the lens focuses to that memorized distance. This is great for plays at second base, for example. I can be shooting the batter and then quickly press the memory button and the lens is in focus for a play at second base. Sweet!

Yep, the 200-400mm f/4 Nikon lens is now my go-to lens for sports and wildlife photography. I am very glad to have it in my lens arsenal!

Be Patient… Let Them Come to You

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Much of the time spent in wildlife photography is pursuing the animals we want to photograph. I often tease that, “Yeah, I was out on the mountain chasing the elk around with my camera.” I do not mean this literally, of course. Chasing an animal is just not a very good idea if you intend to photograph it!

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So how can you actually get closer to the wild animals? Be patient and let them come to you. That’s right, be patient. In our fast-paced society today, this is not an easy thing for many people to do. Being patient means taking the time to stay in one place for an extended period of time.

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Last week, while shooting the Pennsylvania Elk, we were on a hill with a small harem of cows and a couple of bulls within about 100 yards of us. We had our cameras on our tripods and were capturing some photographs at that distance. We patiently remained in that one location for well over an hour. Amazingly, the elk ever so slowly began to feed in our direction. They didn’t close the distance by leaps and bounds; rather, they slowly mossyed in our direction. This took time and we remained patient.

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Eventually, the bull moved to within a few yards of our location. You can see in these photos that I now had too much lens with my 200-400mm. It was an amazing experience!

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The key was staying still and patient, while letting the animals slowly feed in our direction instead of chasing them by trying to get closer. I firmly believe that most photographers will get better photographs if they practiced more patience with their subjects. The next time you are shooting wildlife, practice more patience. Remain in one location and let them work toward you. It is an amazing experience when this happens and you will get some incredible photos, too!

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