My last blog post was about how to create a sports photography portfolio. I suggested that about 20 photos is a good number of photos in a portfolio. Well, today, I am going to share a few photos that almost made it into my portfolio but did not. I will explain the details of why each one did not make the cut.
This was a tough one for me to not include in my portfolio because I love the action of this photograph. The players are airborne, the hair reveals the motion, the ball can be seen, and the composition is tight. The problem is we do not see any faces in this photo. If the ballcarrier’s face was visible, that might have been enough for it to make the cut. Another problem is the tackler’s body is cut in half, which is not a good way to compose a sports photo.
This photograph definitely shows peak action. You can even see the receiver’s eyes as he is looking for the upcoming hit and he is high in the air catching the ball. I also like the definition of the calf muscles showing on the cornerback. The biggest problem with this photograph is that it is crooked–just look at the goalpost. Trying to straighten it in Lightroom would cut off some of the legs of the cornerback and hide the muscles. I could have isolated just the receiver but decided that this photo just wasn’t going to make it into my portfolio.
This photograph was also hard for me to eliminate from my sports portfolio. It shows action, is sharply focused, and captures the baseball as it is leaving the batter’s bat. It also shows the face of the batter in some beautiful sunlight late in the day. The problem is the background–that chainlink fence and steel pole. I know some fields have this kind of fence all over the place and I find it hard to capture better backgrounds at many of the games I shoot, but a clean background is necessary to better isolate the player in a photo. I still go back and forth on this particular photo because of the magic light, but the background seems to be the breaker for me.
As you can see from these three photos, there are some photos that are the almost good enough but not quite. We have to be our own worst critics if we are going to get better and improve our portfolios. Narrowing down to 20 photos is not easy. Think about what an editor would say about your photograph. Why should it make the cut? Why shouldn’t it? Making such decisions are not always easy but they certainly are necessary.